I do, however, live/work in a bookstore that has a pretty good collection of kidlets' books (and literature, which I'm trying not to horde for myself), and perhaps this post will turn into another kind of feature for Bookphilia.com.
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He was right on both counts. I loved this book and I cried as disconsolately as I imagine I would have had I read it when I was 7. One of my cats looked worried, which embarrassed me. But the point is, I wouldn't have cried that way if I hadn't first loved the book - it's so good! Margery Williams knew how to do a lot with a very few words.
This book is a classic and it deserves to be.
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This is a weird one. It's cool insofar as it mentions specific Toronto-y things like the main kid's dad driving the St. Clair streetcar. It's also cool insofar as it was written in 1975 and it's all about cultural diversity and acceptance via food. (The main kid, whose name I've already forgotten, is of Italian extraction and he gets mocked for his stinky meat sammiches by all the other sprogs, who are eating pb&j sammiches.)
It's not cool insofar as I feel like the two authors didn't talk to each other or read one another's sections; the narrative changes without warning from 1st to 3rd and there are no transitions between scenes/places/times of day/etc. An unsatisfying read but an interesting archaeological artifact.
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So, this is actually two short, sweet books in one binding and both were pleasing in that way olde timey British children's books often are, emphasizing as they do words that one wouldn't necessarily expect to be emphasized, and because the world is kind and lovely and the danger minimal.
Also, I now know why you can hear the ocean in sea shells and why poppies are black in the centre.
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